Pan’s Labyrinth: The Art of Horror

Pan Whispering to Ophelia
    Pan Whispering to Ophelia Pan Whispering To Ophelia

      In the Pan’s Labyrinth, a lot of dark matters emerge, for instance the creatures that we don’t see in our lives which we call monsters, the herb that can cure anything, the elf that guides Ophelia. But one the other storyline, the soldiers fighting each other, its color is brighter than the trials given by Pan to Ophelia. And the costumes and the film props are normal, people wear soldier costumes and take pistols just like in real life. This movie is a horror movie, so the horror scenes, the frightening creatures, the setting beyond the imagination is the typical of this movie. Doug Jones has played villains and monsters in many movies.

      The book suggests performances through the concept of gesturality. Traditions of performance, then, have national as well as individual resonances and need to be borne in mind when analysing a star’s performative style.(Cinema Studies, Hayward 183). The Pan’ Labyrinth performance is exaggerated because the movie has to display the cruelty of the civil war and the danger of Ophelia’s adventures. Which stands out is the performance of the Pan, the mystery god from the underworld. The expression and movement of Pan is so real to the audience because it is not special effect but real man in a real suit. One specific detail is that when Ophelia broke the rule and chose not to give out her brother’s blood. Pan seemed disappointed but relieved. The star performance given by Doug Jones really put it together, he displayed a gentle monster. He is a outstanding monster player. He is also the player of the water monster in Guillermo’s another movie The Shape Of Water. A real master of action acting since monsters usually don’t have dialogues.

      Pan’s Labyrinth is a horror movie. It’s typical for horror movies to set dark depressing environment. Going back to the two sets of storylines, the scenes in this film are very dark indeed, not just the normal civil war storyline or the fantastic adventure storyline. The director used dark scenes to heighten the depressing atmosphere of the whole film. It’s like a harbinger of the movie’s sad ending. I think what’s unusual about this movie is that there are no reversals, and usually movies have all kinds of reversals, like sadness to joy or vice versa. The film doesn’t give the audience that element, and the dark scenes are used all the way to the end, as if Ophelia’s fate is doomed and will not change. Cinematography of this movie sets the tone of the movie. For instance in the Pan’s Labyrinth, the dark scenes has already told the audience that this movie will be a tragic.

Meet the Parents Mise-en-scene

 

According to the textbook, “Mise-en-scene means literally staging or putting on an action or scene” (Monahan 154). In the textbook an example of Mise-en-scene is the county court-house in 1965 in Alabama during the civil rights movement. The scene would be constructed with objects and elements that reflect the time and era. For example they would expose warm lighting on wooden fixtures to invoke a sense of old southern tradition. According to youtube, Mise-en-scene means set design, “placing on stage.” In the movie Meet the Parents, the viewer we’ll see a lot of scenes containing the main characters as well as the house. The viewer will see bright lighting to invoke daytime. The costumes of Greg is the same outfit for most of the film as his luggage is missing and everyone else changes clothes based on the day and for their age. The backyard plays a crucial role in the movie as that is where the wedding will be held. One will see the prop of where the husband and wife will take their vowes before Greg lights in on fire. The colors of the film are bright and colorful to show there is life and the scenes are shown during the day because at night they are going to sleep and the scenes are darker to demonstrate nighttime. Critics notice the mis-en-scene is revolved around Greg and all scenes contain his character. The mis-en-scene is only one aspect of cinematography and the next is the actor’s performance.

The actor’s performance plays a vital role in cinematography. According to the textbook, Acting is “an actor’s performance on the screen goes beyond what we see and hear; it also includes many intangibles and subtleties” (Monahan 272). The performances in Meet the Parents is considered realistic as it is believable they are all human as they all speak in normal tone and speak English. The performance I find most remarkable is when Greg exaggerates what Dad has to say about the circle of trust. He makes a mockery with his facial expression and over annunciates how he says it using his voice. The film has star performances from the entire cast Ben Stiller, Robert DeNiro, Owen Wilson, and Blythe Danner.  The performance makes an outstanding impression on its audience based on its cinematography.

Cinematography of the film Meet the Parents is a comedy and therefore it is a well-lit bright movie to invoke happiness and laughter. There were no close-ups of the film It was all filmed in wide shots. The camera angles were wider to be able to include the entire cast in most shots. The framing was a long shot to show where they are as well as the characters. The camera position was high. The cinematography relates the genre as many comedy movies do not have close up because it entices a different emotion then what the director is going for.

The FX of the film Meet the Parents is minimal but it is needed to make the film great. The fx serves the purpose of making the scene believable as well as detrimental to the success of Greg being able to marry his girlfriend. The fx of the fire of the entire backyard is meant to simulate reality. Greg lights up a cigarette and abruptly puts it out on the roof of the house. The cigarette begins to quickly light up the backyard in flames.  The fx of the film is digital. I could not find any information regarding the Fx in this film.

Monahan, Dave, and Richard Barsam. Looking at Movies /: An Introduction to Film. 6th ed., W.W. Norton and Company, 2018.

 

Mise-En-Scene Personal Favorite

Still Shot
  1. Mise-en-Scene and Visual Analysis.

 

The textbook explains mise-en-scene as every element in the frame that contributes to the overall look of the film. The author says that its quite literally everything “set design, costume, hair, make-up, color scheme, framing, composition, lighting… Basically, if you can see it, it contributes to the mise-enscène.” (3). A good example that is used in the textbook are the films of Wes Anderson which are known to be kind of “every frame a painting” kind of films that are dripping in atmosphere and motif. You know when you are seeing a Wes Anderson film because of his intense detail in setting, lighting, color, and composition. Here is a fun little youtube video by GripUp about Mise-en-Scene (Understanding Mise-en-scene (Links to an external site.)) 

Some typical and extreme elements of the mise-en-scene in Blade Runner 2049 are the use of orange and blue lighting and composition juxtaposed with the dirty brown and metallic city setting. The post apocalyptic California and Nevada settings take places we know as familiar and turn them into a hellscape that is near unrecognizable. The costumes and make up pay a lot of homage to the original film. The staging often time shows K as diminutive or set apart from his superiors and co workers showing that he is not seen as an equal. The film uses a lot of typical sci-fi framing tropes.  

  

  1. Performances

The author speaks about how a character can inhabit a performance and how we as the audience can “examine the physical design” of performance or character. The performances in Blade Runner 2049 are heavily stylized. Ryan Goslings performance as K is noir and subdues showing him as an outcast and someone who doesn’t have a place in society outside of his function. That changes when he starts to believe that he may have been born vs made and Gosling is able to show some emotional range. Harrison Ford as Deckard gives a standout performance as a man also living on the outskirts of society. His performance is subdued, and he shows us the weight of the burden he has been carrying in subtle but fantastic ways.  

  

  1. Cinematography

The cinematography in the film is outstanding giving us a mixture of these giant sweeping shots of the city versus more close ups of the characters. The movie is dark and mysterious and fraught with intrigue. Some of the static shots like the early scene where K is interrogating Sapper Morton played by Dave Bautista have so much anxious pent-up energy in them. We as the audience are really put on the edge of our seats by shots like those.    

  1. Special Effects

The special effects in the movie are excellent, one really innovative and interesting affect comes when Joi, K’s virtual girlfriend, hires a real girl played by Mackenzie Davis to make love to K. The film overlaps Jois face onto the human Davis and blends the two in a really new and never before seen way. Another cool effect is when K’s car is shot down and we see a kite gun attract lightning to short circuit the car.  

  1. Functions

The elements at play in Blade Runner 2049 like mise-en-scene, lighting, performance, cinematography, and FX make the world feel inhabited but alien. They advance the story and force the audience to ask and examine a lot of tough philosophical questions

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Group Analysis Mise-En-Scene

  1. Mise-en-Scene and Visual Analysis.

 The textbook explains mise-en-scene as every element in the frame that contributes to the overall look of the film. The author says that its quite literally everything “set design, costume, hair, make-up, color scheme, framing, composition, lighting… Basically, if you can see it, it contributes to the mise-enscène.” (3). A good example that is used in the textbook are the films of Wes Anderson which are known to be kind of “every frame a painting” kind of films that are dripping in atmosphere and motif. You know when you are seeing a Wes Anderson film because of his intense detail in setting, lighting, color, and composition. Here is a fun little youtube video by GripUp about Mise-en-Scene (Understanding Mise-en-scene (Links to an external site.)) 

Some typical and extreme elements of the mise-en-scene in Super Size Me are how Spurlock jams a lot his frames and sequences with the happy bright colors and characters associated with fast food chains like McDonalds. The locations are often in the fast-food restaurants with lots of bright red and yellow with bright lighting. He uses the food as a prop, we often see him holding up the sickly-looking big macs, chicken tenders, French fries, and sodas. The staging is specifically done to make sure that they are in the frame and in a lot of the frames we will see the cardboard cutouts of characters like Ronald McDonals, the Hamburgler, Grimace, and the like. These bright caricatures are often juxtaposed with him sitting down after the meal in the back of a car or a dimly lit apartment with him looking absolutely sick to his stomach.  

  

  1. Performances

The author speaks about how a character can inabit a performance and how we as the audience can “examine the physical dsign” of performance or character. While Super Size Me is a documentary I think that Spurlock does exaggerate his performance to get a desired effect. He plays into the happiness and ecstasy of eating the fast food and then will also play into how much he is suffering after eating it. Not to say that he wasn’t actually feeling all of these things but rather he just makes those emotions a bit bigger so that we can feel it through the screen. I think of the scene where he acts like a grade school child eating his big mac only to vomit it all up in the parking lot just a few minutes later. He is undoubtedly the star performeof the film but I also think that the doctors he goes to see also exaggerate their performances. I think of the Saudi endocrinologist who tells him hes going to die if he continues his experimental diet and I think he too was playing up his character a bit.  

  

  1. Cinematography

The cinematography of the film is fairly typical. We do see a lot of narrow shots that focus on Spurlock and his ecstasy or discomfort. We also get lots of longshots of him sitting alone after the McBinges showing how isolating and lonely he’s feeling while he’s in pain. The cinematography relates to the documentary genre in that it feels pretty low budget but candid so that we really feel like we are watching this honest transformation of a man letting his health slide to prove a point. I remember watching an Italian docudrama profiling a heroin addiction and Super Size Me reminds me of that quite a bit.  

  

  1. Special Effects

I do not believe that there were any special effects used in the documentary, at least not to my knowledge.   

  1. Functions

I think that the function here is to profile the destructive capability of regular fast-food consumption. The film really shows in excruciating detail just how adverse the physiological and psychological effects of this food really are.  

 

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1.07

The film I have been studying is my all-time favorite movie, Meet the Parents. Meet the Parents is similar to Night at the Museum: Secret of the Tomb, which came out in 2014. It’s also another Ben Stiller film. The budget for Night at the Museum was 127 million and made 17 Million on opening day. Which is much more then Meet the Parents budget of 55 Million and an opening of 28 Million. Meet the Parents is about a family that has many mishaps trying to prepare for the wedding of their daughter. Whereas Night at the Museum is an adventure film guiding Ben Stiller the (night guard of the museum) to make sure all animals and people are safe. Two very different films with two different budgets but our both ultimately made for all individuals to be able to see a clean, humorous, never before seen topic in cinematography before.

According to Jim Herzfeld, the movie was intended to have Jim Carey (Greg Focker) and Stephen Spielberg to direct the film a week before the film was to begin filming (Herzfeld and Hamburg). Then Ben Stiller was casted because he wanted to work with Robert De Niro signed on as Dad (Herzfeld and Hamburg). On youtube they show a clip of the film where Greg Focker says grace at the dinner table and ends up breaking the urn of Jack’s (DAD) mother. According to youtube they have a movie clip of Greg sharing grace and a comment underneath the film “Those actors should win a metal for keeping a straight face while listening to him pray.” I have to agree with the comment that this is one of the funniest scenes in the movie and every time I see the clip I break out in laughter.

The single element in Meet the Parents is the word “trust.” Greg learns about the “circle of trust” at the fitting for suits for the weddings. Greg is caught off guard and learns from there that he shouldn’t lie to Dad or it will have consequences. Like, being out of the circle of trust.Being out of the circle of trust means he won’t be able to marry his beautiful girlfriend. So instead of telling the truth Greg learns to lie better. In the end of the movie Jack puts Greg under a lie detector test at the airport where Greg confesses to all his lying.

 

 

 

 

 

 

 

Herzefeld, Jim, and John Hamburg. “WHAT’S THE BIG DEAL? De Niro as the Future Father-in-Law from Hell.” EVSCOhost, 18 Aug. 2000, web.b.ebscohost.com.resources.ltcc.edu/ehost/detail/detail?vid=3&sid=0a13abfc-cf62-4238-9afc-b50e28095d29%40pdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=3450424&db=a9h.

movieclips. “Meet the Parents (1/10) Movie CLIP – Greg Says Grace (2000)

3.1 3.4 Mis-en-scene Meet the Parents

According to the textbook, “Mise-en-scene means literally staging or putting on an action or scene” (Monahan 154). In the textbook an example of Mise-en-scene is the county court-house in 1965 in Alabama during the civil rights movement. The scene would be constructed with objects and elements that reflect the time and era. For example they would expose warm lighting on wooden fixtures to invoke a sense of old southern tradition. According to youtube, Mise-en-scene means set design, “placing on stage.” In the movie Meet the Parents, the viewer we’ll see a lot of scenes containing the main characters as well as the house. The viewer will see bright lighting to invoke daytime. The costumes of Greg is the same outfit for most of the film as his luggage is missing and everyone else changes clothes based on the day and for their age. The backyard plays a crucial role in the movie as that is where the wedding will be held. One will see the prop of where the husband and wife will take their vowes before Greg lights in on fire. The colors of the film are bright and colorful to show there is life and the scenes are shown during the day because at night they are going to sleep and the scenes are darker to demonstrate nighttime. Critics notice the mis-en-scene is revolved around Greg and all scenes contain his character.

According to the textbook, Acting is “an actor’s performance on the screen goes beyond what we see and hear; it also includes many intangibles and subtleties” (Monahan 272). The performances in Meet the Parents is considered realistic as it is believable they are all human as they all speak in normal tone and speak English. The performance I find most remarkable is when Greg exaggerates what Dad has to say about the circle of trust. He makes a mockery with his facial expression and over annunciates how he says it using his voice. The film has star performances from the entire cast Ben Stiller, Robert DeNiro, Owen Wilson, and Blythe Danner. I associate myself with all cast members through their previous films. I find them all hilarious, great actors, and I know I will be seeing a great film with any of them in a film.

378942 05: Actor Ben Stiller “Greg Focker”, Robert De Niro “Jack Byrnes”, Blythe Danner “Dina Byrnes”, and Teri Polo “Pam Byrnes” star in Universal Pictures “Meet the Parents.” (Photo by Phillip V. Caruso/Universal Studios and Dreamworks LLC/Delivered by Online USA)

Cinematography of the film Meet the Parents is a comedy and therefore it is a well-lit bright movie to invoke happiness and laughter. There were no close-ups of the film It was all filmed in wide shots. The camera angles were wider to be able to include the entire cast in most shots. The framing was a long shot to show where they are as well as the characters. The camera position was high. The cinematography relates the genre as many comedy movies do not have close up because it entices a different emotion then what the director is going for.

 

 

 

Monahan, Dave, and Richard Barsam. Looking at Movies /: An Introduction to Film. 6th ed., W.W. Norton and Company, 2018.

“Understanding Mise-En-Scene.” YouTube, YouTube, 27 Feb. 2018, www.youtube.com/watch?v=TMbWa8sqQOg.

What Makes a Film Memborable?

What part of the filmmaking process turns a movie from a forgettable motion picture to an immortal piece of media? Was it an actor’s performance? A single badass line? The setting? The special effects? Based on my studies, there are 2 main aspects of a film that are most likely to make a film memorable.

The movie’s score can make a movie remember. One of the most famous horror scenes, the classic psycho show scene, is carried by the intense violin being played. More recently, Joker (2019), won many awards for its original score and that score made certain scenes, like the stair dance scene, become memorable. Alisha Powers says that watched a lot of movies with her mother during their childhood, but only remembered “A Knight’s Tale” because of its soundtrack and a dance scene. Pirates of the Caribbean, Star Wars, and The Good, The Bad, and The Ugly are all movies set in different settings that have amazing scores that not only define those movies but the settings they portray.

I am combining these two aspects as they go hand in hand. A movie must begin and it must End. The audience will remember a strong beginning and a strong end the most, even if the middle is mediocre. Baby Driver’s opening with the soundtrack and intense driving really captivated the audience, myself included. Avengers Infinity War had a devastating ending that stuck with lots of moviegoers and made it memorable. Infinity War would have been overshadowed heavily by Avengers: End Game, but that ending with all the characters we grew to know and love turning to dust before our eyes really ended that movie strongly.

Segmentation

In A Knights Tale there are multiple segments that stick out. The beginning where you are seeing Wills current part and the loss of their current knight. Then the portion where will takes his place and wins and convinces the others to go along with him in falsifying his identity. There is then his winning sequence where you see his tournament after tournament winning. And then of course the scene where he meets the girl, wins the girl and then is exposed by the other knight, he returns home to his father. Then prince Edward saves him and knights him as well. A lot of the segments also go along with the dramatic arc. The film is building up to Will winning the girl, going back home to his father and then of course being found out who he truly is which is going to ultimately happen where he came from. So the actual drama of this movie isn’t to unexpected it follows the arc.A Knights Tale is a story, it has all of the makings to be a story and follows the drama arc. We see a poor man left with no choice but to steal and identity to be able to earn money and survive. He always had the dream of becoming a knight but did not come from royal blood so his father sent him away at a young age to assist a knight with his requests, this was the best his father could offer him. Everything leads up to Will becoming a knight and in the process of his knighthood be finds a lady who he falls in love with. There is competition though for her another knight has made arrangements with her father to wed her but her heart belongs to Will. The final tournament is in Wills home town and that is where he is exposed for being an imposter and not a true knight which is punishable by death. But Prince Edwards saves him and then knights him as well so his dream becomes a reality and he gets the girl. 

Garden State 2.0-2.5

 

Garden State moves through very distinctive sequencing. The movie starts with the coming home experience Andrew Largeman Experiences with the death of his mother. His mother’s death is what moves our character from Los Angeles back to New Jersey. This first sequence is vital to show why we are back home to begin with. The following sequence can be summed up by trying to move on. Largeman is now trying to experience life as well as possibly mourn the death of his mother. This sequence includes hanging with friends and starting his relationship with Sam.

The film broken in parts it would be, funeral, attempting relationships, romantic relationships, life choices. The beginning of the film is experiencing the funeral through very low emotions, the attempting relationships shows Largeman trying to be a human a step out of his box of working non stop to pay for LA’s expensive small living spaces. After Largeman experiences a new kind of relationship with Sam which is able to bring out new emotions as well as allowing him to be more open and talk. Life choices represent decisions, this included falling back into life’s pattern or breaking from it and trying something new.

Garden State represents an argument between Andrew and his Father Mr. Largeman. The two seem at odds at the way in which they believe Andrew should be carrying out his life. They both obviously hold resentment for which his mother ended up in a wheelchair and quite possibly the reason for her death. I would consider to be a Poem in which tells a somber story about the need to experience life. The colors of the film are very dull or almost dingy. One element to Garden State is the pale green that often companions the shots. The soundtrack is what most people think about when experiencing the movie. This can be represented with the way the music is layered throughout the film.

The couple living in the quarry in a house boat at the end of a large home represents an avant-garde . The couple is living much differently than most couples, and while they seem to have little, together have more than most who experience life with an itemized or monetary approach to living and success.

The film presents time in which it is expected to be moving quickly and understood. We don’t see sleeping other than when the film first starts and one point when Largeman wakes up from being passed out at a party. However we are suppose to believe Braff’s character falls in love with Natalie Portman’s “Sam” within the time he is home. With very little representing the passage of time one could find their connection at the end of the movie hard to explain from the short period of time actually together.

Group Film 2.05

The sequences of this film is very intriguing, hinting at the cruelty of the civil war and the terror of dictatorship all the time. I have watched this film for three times with a heavy heart, and every time I will sigh. Clearly, the film’s main theme is “a cruel tale of cold reality interlaced with a beautiful little girl’s fantasy.” There is no underground kingdom, no afterlife, no hope of a better life. Ophelia was robbed of her precious life by the horror of the heart and the cruelty of reality.

The tree is dying from a very cunning Angle, one left and one right, like two forces to pull it apart, the left wing coalition and the right fascist regime will break the withered old tree, a symbol of the tear of national ideology and the decline of national strength. Like the battle between the guerrillas and Vidal, the civil war has devastated the country, which is no longer as vibrant as a normal tree, but as dead as a lightning bolt that has split it in two.

Another standout sequence in the film is the magic grass that Phan gave Ophelia, La Mandragora. It does not need Ophelia to pay a huge sacrifice, only need a little ox and a few drops of blood, can help Carmen to breed a new life. He is not aggressive, and in such a depressing film, there is a moment of relief, but only for a few minutes. What happens next is even more brutal. No one is on Ophelia’s side, no one believes him, the herbs are thrown into the furnace, and the mother dies in childbirth. Her father thought nothing of her life and only cared about the boy he was going to have.

This is not so much a dark fairy talebut as a reflection on the national conditions of Spain at that time. While it’s letting people hit to abandon innocence, it tells people to grow up as well.