Pans Labyrinth

Pans Labyrinth can be viewed as a major success in terms of the amount it cost to earned ratio. I believe the driving factor to its success was one its originality but even more importantly its inclusivity. The ability to reach other audiences with choosing Spanish allowed for Pans Labyrinth to have high international numbers at the box office. While the budget was small the film was supported by amazing performances by Ivana Baquero in her leading role of Ophelia. We are also drawn to the relationship that develops between Ophelia and Mercedes (Maribel Verdú). Pans presents us with literally two separate worlds both very representative of the reality it is intended to portray. Ophelias real world dirty, cold and unforgiving. Even the comforts of her mother’s warming personality fading as the movie carries on. Pale or dark colors in film reflect what it is like for a child growing up in this time. Largely forgotten an after thought of joy.

 

The next world. A world of wonder and questions. While not every question is met with an answer we enjoy the opportunity for exploration and the ever present reminder the pure at heart are those who deserve to be virtuous in life. Films also have meaning in which are to make different impacts on what is trying to be presented Pan presents us with a story of good vs evil while giving us a unique ending as compared to some other films.  Pans Labyrinth holds information from us the viewer that surprises us later on. When first presenting tasks the Fauno does not tell us all of the details that are needed to unlock the kingdoms portal. When we are finally let in on the last task we are surprised at the task and taken back as we now see the Fauno in a new light possibly not as trusting as once thought. This trust is build up by the Frauno  not presenting us with the 3 tasks as soon as we were told of the task at hand.

 

Guillermo Navarro not to be confused with del Toros presents us with a hauntingly beautiful cinematography experience as we are introduced to a world that is both mystical while not fully comfortable to the eye almost a warning to not fully embrace the landscapes scenery.. The performance by Doug Jones as Fauno is what is the true trick as we are so captivated by his movements it adds to the overall distrust and question of the true intentions. Every actor bringing their own element to this movie truly made it the symphony that it is.  With my focus on music I have learned is music is able to escalate or deteriorate a movie. Even in Pans Labyrinth less is more where our film only has but one song which is a lullaby revisited throughout the film. This somber hum really sets the tone and let’s us know right away we will need to be comforted. The way in which monsters are lurking in the distance also offered a chilling experience

 

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