Great film 4 The godfather

The Godfather is considered one of the greatest movies our time. It was the top grossing movie of 1972, won multiple Academy Awards and catapulted the organized crime genre into the popular culture limelight. The movie, following the story of the powerful Italian-American crime family, the Corleone’s, is a perfectly paced, character-driven drama crammed with fantastic dialogue, edge-of-your-seat scenes and an unforgettable storyline all told from the point of view of the criminals. It is a beautifully shot cinematic masterpiece featuring impeccable acting, music choices and overall look, making it truly compelling, powerful and memorable. Don Corleone is a man known for his ability to make decisions very quickly. He is a highly respected man who knows exactly what he wants and is able to execute his thoughts decisively, thus commanding respect through steadfast leadership. In his famous words, “I’m gonna make him an offer he can’t refuse,” he makes it clear that he doesn’t mess around during negotiations. An element that stood out was how he handled his business. Im not recommending that you go about threatening or killing each another to demand respect, but by knowing what you want from your business and being unwavering in your decisions, you stand a far better chance of succeeding in the cutthroat world of business. He got straight to the point during business decisions and made compelling offers that were attractive to the opposite party. Also, he worked closely with his team to ensure they were making the right choices, but at the same time choose his team wisely so that he could trust that they will make the right decisions. He wasnt hesitant; hesitation can all too easily lead to missed opportunities. Business is Business, Know your competition and remain one step ahead of the game in order to grab opportunities as they surface and beat the competition. In the words of Michael Corleone, “it’s not personal, Sonny. It’s strictly business.” Sonny Corleone was a character known for his short temper and when he reacted impulsively and emotionally towards a photographer, this nearly killed his brother-in-law, which led to his demise. In business, there are winners and there are losers but at the end of the day, business is business and there is no point in reacting emotionally when it comes to making decisions. When people base their business decisions on emotion, mistakes happen, so eliminate emotion and ego from the equation. It shows the incidents which are wrong according to the law but as an audience we feel connected towards characters. It spell bounds the audience in a manner that everything looks right and appropriate. Nothing seems to be inappropriate which we can disapprove. A critical conversation read about the film was about the details of organised crime in the film and how much overall power the godfather had but No scene in movie shows any harm to civilians. It also does not show any women trapped into illegal and antisocial activities like prostitution. This movie does not show any wrecked life due to gambling. The movie shows mafia life from inside. There is a scene in which a person comes to Don. Don says ” Why did you go to police? You should have come to me. Your daughter is suffering on a daily basis. If you would have come to me then your enemy would have become mine, And then they would fear you”.This clearly shows the influence of Godfather. This movie would be considered a great  film because It shows the text of morality and humanity with a brushing of fear. It is a story of power with controlled manner. It a story of influence but with texture of humanity. It is a story of destruction but with clear depiction of family values. It is a masterpiece in real sense.

Sources

https://archive.nytimes.com/www.nytimes.com/packages/html/movies/bestpictures/godfather-re.html?scp=9&sq=loews&st=cse (Links to an external site.)

https://www.jstor.org/stable/29775826?read-now=1&refreqid=excelsior%3A8c7271a81cb8c077f33adbfd79609fdc&seq=1#page_scan_tab_contents (Links to an external site.)

https://www.hollywoodreporter.com/review/godfather-review-1972-original-movie-986404

Great film 3 Wizard of Oz

The Wonderful Wizard of Oz, usually known as a child’s tale, might well have been inspired by the story of William Jennings Bryan. A scholarly article by Hugh Rockoff, reviewed and cited in detail by Nobel Prize Milton Friedman, studies in details the political landscape of the period when the book was written by Frank Baum. Baum was very close to populist circles and read a lot about current political issues. So we are pretty sure that he knew in details about the Crime of 1873 and the career of William Jennings Bryan. Many similarities are difficult to overlook (I’m not exactly the kind of guy who measures pyramids to find out if they represent the moon-sun distance). I’ll give here some of the main arguments, but you’ll like to read the article itself, fully accessible to the layman even if it was published in very highbrow economic journal. Dorothy the main character around whom the story revolves is supposed to represent an individualized ideal of the American people. Aunt Em and Uncle Henry are supposed to represent the farmers who were severely suffering due to droughts and severe winters. A interesting scene or element(s) in the film is how certain characters and scenes match those of real life. The Cyclone that lifts Dorothy’s house was compared to the Populist cyclone that swept across Kansas in the early 1890s.The wicked witch of East was compared to the eastern financial-industrial interests and their gold-standard political allies. The scarecrow in the movie was used to represent the midwestern farmers, The next character Tin Man represented the nation’s workers. These were the main characters which were used to refer the Popular American movement and the people of that time. A critical conversion that people had to say about the film would be how The characters wanted democracy and a peaceful life, Relating to the populist movements that were taking place at that time. There was no unity among the east, west, south and the north regions. They were not united in their thoughts, instead was a combination of the nation’s wealthiest and the poorest. The characters were used to explain the pathetic condition of people of US. They wanted it because the populist movement wanted liberalist activities in place. They wanted the sufferings to come to an end. They wanted the political and the populist movements to reach all the people across the country. They wanted this as they wished a good future for their country. The directors of the movie wanted it to be presented in such a way that it had the greatest impact on the people of US. They further wanted to bring to light about Baum’s political background, trickster personality, and subsequent work. To sum it up The Wonderful Wizard of Oz was a deliberate work which was picturized to replicate the political symbolism of US. According the library of congress the wizard of oz is the most watched film. The Greatness of this film portrays human nature, and how people are depicted as generally good. This is the reason why the greatness of this film is different from other great films.

Sources:

https://www.jstor.org/stable/pdf/24044541.pdf?ab_segments=0%252Fdefault-2%252Fcontrol&refreqid=excelsior%3A317a9a633ab885ef4a41e816b469e4b0
https://slate.com/news-and-politics/2009/09/dissecting-the-real-wizard-of-oz.html

Great film 2 Apocalypse now

One of the most effective techniques used in the movie is the usage of very long dissolves. Many scenes are dissolved on each other until they become a montage of their own in one shot itself and say something completely distinct from their individual meaning. This was used in the beginning of the movie, in the middle when the journey enters the final realm and in the end again giving the seemingly untying themes a thematic unity It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, ‘does not exist – nor will it ever exist’. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard’s job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz’s outpost, beyond the Do Lung Bridge. Some elements I noticed that stood out were the lightening, color, and camera movement. Lighting is the key element in the film. Along with fogs and shadows. The general look of the film is dark and shadowy in keeping with the theme of war and the dark journey that the soldiers undertake therein. As the journey begins, the lights are still high, Willard begins his boat ride in dusk (Journey Begins) but as the journey gets deeper and deeper, the film gets darker, the shadows get pronounced and light is dimmed (Journey Deepens). The lighting of the film is highly representative of the perils of the war in the jungle as well as metaphorical journey that the soldiers undertake in the spiritual realm. The boat, aptly named “Erebus” is not lit at all, yet is the only sanctuary in the deep jungle around (Ship Of Death). The lights are garish and painful to the eyes (Hells Fire) where as the blacks are so demanding that they are equally tiresome (Journey To Hell). Some of the day light scenes are very high in contrast where the light is coming from the background and we need to squint our eyes to see the details in the foreground. It creates a realistic effect as if we are present during the scene. Colors in Apocalypse Now mirror the emotions and the journey itself. The movie begins with deeply saturated colors, putting us in a different realm of our imagination. The hues are very deep, almost reminding us that we are still on earth, still connected, and although in a war zone, we are possibly still alive as we can see these bright colors (This Is The End, Saturated Colors). As soon as we begin our journey, one of the first colors we encounter is the color of fog, it stays with us throughout the journey and by the end it is so thick that neither Willard nor we can see anything clearly any more (Multi Colored Fog, Fog And Haze). As we go further and deeper in the journey, the colors start getting muted. Some of the scenes are in sepia tone and give a representation of an altered reality (Sepia Tones And Unearthly Colors). This is the other world; the colors of this world are different. Even the fog is devoid of those rich colors that we are used to in the beginning (Fog Gets Deeper). When they finally reach Kurtz’s post, the colors are completely altered and the palette is in various shades of orange imitating the fires of hell. (Underworld Fire And Orange). The journey in the film is marked by slow camera movement. Most of the times the camera is stationed right on the boat, and we see what the soldiers, mostly Willard sees. Film has slow tracks, slow pans and generally slow movements. There is not much that is exciting about a slow journey through the jungle. An interesting tracking shot happens in the beginning of the movie when Willard gets the assignment of killing Kurtz. As the General is giving Willard his orders, camera slowly tracks over the food, and through this movement we explicitly see that no one is able to eat the food except for the man from CIA. He is not confused, nor tormented as the other men who are part of the same unclear war and are divided by the same conflicts of morality. He then utters his one and only sentence to Willard “Terminate with extreme prejudice…!” Most of the times, camera is positioned at a close up to Willard and we watch him breathing, sweating, looking at his dossier. Since camera position does not change often, we start living and breathing in the same environment as the other characters. They have no respite out of the situation they are in and we don’t either. There are few pronounced camera movements such as the one on Kilgore as he starts talking about Napalm. We always see him in full company of his soldiers but the camera marks a strong change when Kilgore starts talking about Napalm and the war, we start with seeing his whole team and the camera keeps tracking towards Kilgore, leaving out everyone else and ends on his one and only medium close up. This is pretty much how close we can get to this man (Kilgore Selection In Frame, One Close Up Kilgore). Another highly effective tracking shot is when Willard is in Kurtz compound and is hearing how divided Kurtz soul has become. Till this point, we have seen Willard on the left side of the screen in his every interaction with Kurtz (including his dossier). In this scene, we see one shot of Willard on the left, then as he contemplates his actions we see him in the center and in the next shot, as Willard makes up his mind about killing Kurtz, we see him at the right of the frame. Not only that, this is the first place when the camera tracks back and out of Willard’s close up and we see him looking at his hand preparing to kill Kurtz with his bare hand. It is a very powerful camera movement since for the first time, as Willard decides to kill without judgment a.k.a. Kurtz fashion, we are taken out from his frame of mind, from his memories, from his heart and given a chance to have a perspective of our own, apart from him. This film would be considered a great film due to its choice of cinema and storytelling. The cinematography is beautiful , and every character is given scenes where they in action. Not every great film has these characteristics , the reason why this movie is a different ‘great movie’

Sources

https://www.jstor.org/stable/20386862?read-now=1&refreqid=excelsior%3A854c8677099f205102db00130c847d43&seq=1#page_scan_tab_contents (Links to an external site.)

https://variety.com/1979/film/reviews/apocalypse-now-2-1200424565/

Great film 1 Space odyssey

Several philosophers until now have held the idea that our life on earth is nothing but a stage in the vastness of existence. Whether this means that there is another stage, after life on earth or that our life is merely a stage in the context of all existence, might vary. Nevertheless, our life is merely a stage.The film “2001: A Space Odyssey” is a film by Stanley Kubrick and explores the space mission of Bowman and the involvement of a space monolith that has been there since the time of the “ape-man.” This monolith is a part of a story that spans across millions of years and hence serves as a point of reference.The relativity is used to show the journey of man from primitive stages to extreme advancement and yet, the entire journey is merely a stepping stone in the grand scheme of things. Therefore, the film doesn’t view humanity as a final goal but more like a stage that is bound to transcend into something more.This film is fairly artistic and therefore open to interpretation. Different viewers have expressed their critique and understanding of the film differently. The journey of the story from the “ape-man” beginning to the moon exploration, up until the journey to Jupiter are different phases that seem to connect the story. The director Kubrick and the writer, Arthur Clarke purposefully left the film open for philosophical and allegorical interpretation. Like any good science fiction novel, 2001 provides a detailed look at the scientific world it chronicles. Great care is taken to ensure that the reader gets a sense of the experience of the technology described in the book. Dr. Floyd’s journey to Space Shuttle One is described with attention to details such as the experience of a high-acceleration liftoff, the adhesive sauces used to keep chops firmly in place on one’s plate, and even the rotating bathroom that allows for the effect of gravity on the spaceship. A Space Odyssey has the distinction of being one of only a few classic books to be based on a movie, rather than the other way around. Its author, Arthur C. Clarke, based the novel on a screenplay he wrote in conjunction with Stanley Kubrick in 1964. The book, which was released a few months after the movie, fills in many details left unsettled in the movie. 2001 was written at the very beginning of the space age, before man first set foot on the moon in 1969. It was clearly inspired by much of the fascination with space, which gripped a nation exploring an uncharted terrain in the 1960s. The 1960s were also a time of confrontation with the communist U.S.S.R. and tension over the potential for use of nuclear weapons. The Cuban Missile Crisis was recent history at the time 2001 was in the process of being conceived. The instability of foreign relations as well as the proliferation of nuclear weapons led many at the time to wonder whether a nuclear holocaust might be around the corner. A Space Odyssey explores technological innovation, its possibilities and its perils. Two particular dangers of technology are explored in great detail. First, Hal presents the problems that can arise when man creates machines, whose inner workings he does not fully understand. Second, the book explores the dangers associated with the nuclear age. The novel issues a warning against the destructive power associated with that technological innovation in the military arena.2001 takes a long-term view of development, human and otherwise. The story traces the development of man from man-ape. Uniquely, 2001 considers not only the evolution that has led to the development of man, but also the evolution that man might undergo in the future. Thus, we follow Bowman as he is turned into a star-child by the advanced civilization of extra- terrestrial intelligence. The novel recognizes that evolutionary theory implies that humanity is not the final goal of some process, but only a stopping point on an indirect process. One way this process might continue, the book imagines, is that humans will learn to rid themselves of their biological trappings.

Sources

  1. http://www.bbc.com/culture/story/20180404-why-2001-a-space-odyssey-remains-a-mystery
  2. https://www.rogerebert.com/reviews/great-movie-2001-a-space-odyssey-1968

Film Analysis #1 – Week 4C: Editing and Sound

To convey suspense and tension in the Night of the Living Dead, George A. Romero arouses expectations and subverts those expectations with uncertainty utilizing editing and sound. Around the 22-minute mark, Barbra surveys the house after a reassuring conversation with Ben. Ben’s consolation is not only received by Barbra within the parameters of the film, but it breaks the fourth wall in consoling the audience—just enough words by Ben to put the audience at ease. As Barbra walks through a doorway, ominous music ramps up and takes away the comfort that Ben initially instills. Barbra fixates her vision towards something, using the music box as the variable for the transition. While the music box plays an innocent melody, a shot of Barbra with the music box out of focus parallels the dispatch to the audience of the focus towards Barbra.

Romero plays with the conjunction of editing and sound to convey to his audience the framework he placates. He juxtaposes the ominous theatrical music with the innocent melody of the music box. Romero constantly puts the audience in a disarray in where he simulates a roller coaster of tension subsequently subverting each other. Visually, Romero fixates on an inanimate object to impart to the audience where the focus should be. He displays Barbra focusing towards the music box and hinges conveying a tone with the object.

Another key editing technique used in this film is the eye-line matching that occurs in the scene of Barbra sitting alone in the room and the strangers crashed into the house. Around 40:14 the direction of Barbra’s eyes moving toward the door determines the direction of screen and the viewers’ perspectives. The eye-line matching shots employed here transfer the eyes of the audience to the things behind the door, enhancing a smooth and continuity from shot to shot and help push the storyline forward.

The sound and music also plays a key role in shaping the whole story and genre of horror. As we see the movie, we noticed that the soundtrack was given not continually. For example, when there involves dialogues between characters, there is not sound or music at background but the real voice of the characters. The sound and music occurs when there are some kind of signal for danger or threats. In 17:00,when Ben is fighting the ghouls around him and Barbra is facing several ghouls inside of the house, the sounds and music are incredibly creepy and thrilling that make the audience feel so nervous. The way of using sound and music helps pave the way for the whole story and create a sense of tension for the audience.

 

Great Film Analysis #5- The Godfather

My experience watching the Godfather was very positive. Organized crime and corruption has always interested me and that is what The Godfather is all about. The Godfather was full of action from the very start which also kept me engaged even though it was a very long film. A scene that stood out to me in particular was when Johnny Fontane and Don Vito tried to convince Jack Woltz to give Johnny a part in a movie and when Woltz refuses they cut off the head of his horse and leave it in his bed the next morning. This scene stood out to me because it didn’t seem like it would be that big of a deal for Johnny to not get the acting part, but I thought that it symbolized that the family gets what they want by any means necessary and commit extremely personal crimes, like killing pets, to send a message. 

The elements of the film that stood out the most to me were the mise en scene and the sound. For the mise en scene, I thought that the setting was realistic and the costumes also helped play a role in shaping who the characters were. The sound also helped add to the film because it was kind of ling but the music let the audience know when something important was about to happen and helped me pay attention more. 

Critical conversations of The Godfather were very positive, this makes sense because The Godfather has been nominated for and won several awards. The Godfather is also viewed by many as “one of the most influential films of all time” (History). I also didn’t know that the film was based on a book originally but critical conversations also said that the film did a great job of staying consistent with the storyline of the book and capturing most necessary details. One critic had an interesting take on The Godfather and wrote, “The Godfather presents the gangster’s perspective of the Mafia as a response to corrupt society.  Although the Corleone family is presented as immensely rich and powerful, no scenes depict prostitution, gambling, loan sharking or other forms of racketeering,” (George De Stefano). 

I would tend to agree with the critics takes on The Godfather. I was worried about how my viewing experience would differ from critics because the film was made so long ago but I was engaged the entire time and thought it was very profound and interesting. 

 

Sources

  1. https://books.google.com/books?id=2482tWkpfpQC&pg=PA94#v=twopage&q&f=false
  2. https://en.wikipedia.org/wiki/The_Godfather

Great Film Analysis #4- Pulp Fiction

I thought Pulp Fiction was a good film and I can appreciate why it was critically acclaimed, however I thought the film was very drawn out and it focused on too many unnecessary details that draw away from the story line. The movie followed the characters scene by scene and didn’t skip around at all which made it seem more realistic but it also just dragged the movie and it was somewhat monotonous at times.

A moment that stood out to me was when Vincent Vega and Mia Wallace were sitting at the diner talking. This scene seemed to drag on for a really long time and it felt like almost half of the movie was their dialogue at the diner and seemed somewhat unnecessary to spend that much time on one scene. 

One element of the film that stood out to me was the use of segmenting to help break the film down and make it easier to comprehend and prepare the viewer for what’s about to happen. The movie is very long so it’s broken down into 7 main segments- “Prelude to The Gold Watch (flashback), Prelude to Vincent Vega and Marsellus Wallace’s Wife, The Bonnie Situation, The Diner, The Diner ii, Prelude to The Gold Watch (present), Vincent Vega and Marsellus Wallace’s Wife, and The Gold Watch” (Wikipedia). This was a smart choice by the director ton split the film up into segments so that it kept the audience engaged and let them know what to look for in each segment of the film and what to pay attention to. 

I read varying critical conversations about Pulp Fiction, some describe it as an excellent film while others describe the film as “authoritative, influential, and meaningless” (Foster Hirsch). Other critics think that Pulp Fiction is a reference to postmodernism because it has several references to the 1950s and was even called a masterpiece, “Describing the film in 2005 as Tarantino’s ‘postmodern masterpiece … to date’, David Walker writes that it “is marked by its playful reverence for the 1950s … and its constantly teasing and often deferential references to other films”. He characterizes its convoluted narrative technique as ‘postmodern tricksiness’,” (Wikipedia). 

I can agree with the varying critiques of the film because I can appreciate how influential and important its references to postmodernism ast the time of its release were but I also can understand how a critic would be harsh and write that it seems “meaningless” at times because I also felt that way during the film. 

 

Sources

  1. https://en.wikipedia.org/wiki/Pulp_Fiction#cite_note-164

Great Film Analysis #3- The Shining

My experience of The Shining was good but it could have been better. I thought it was interesting in the beginning when the chef knows that the boys mother calls him “Doc” and reveals that he is psychic to the boy and that he knows that the boy is psychic too. I thought maybe the director could have done a better job explaining that part of the movie. Another element I was confused about was in the end after Jack dies and it shows the poster for the Overlook Hotel in the year 1921 and in the very front is Jack. There were also a few scenes that confused me. One scene in particular that confused me was when Wendy locks Jack in the food pantry and he somehow escapes later. The movie didn’t show how he escaped and it seemed unrealistic. Other than those confusing spots of the film, I thought the director did a great job of keeping the audience engaged and keeping the tone of the film eerie and creepy throughout the whole movie. 

The elements of the film that I was most impressed with was the sound, visual effects, and editing used in the film. All of these elements usually play a critical role in most horror movies but The Shining did an excellent job of utilizing all three. 

In the very beginning of the film during the drive up to the hotel there is scary music playing which sets the tone for the whole movie and makes the audience aware that something bad is going to happen at the hotel. Then when Jack arrives and interviews at the hotel the manager tells him about the murders that had previously taken place at the hotel. Then whenever something bad is about to happen during the movie, like when Danny has a vision or when Jack is chasing around Wendy with an axe, scary music is playing and it crescendos when there is an anticipation scene. Also the lack of sound throughout other scenes in the movie adds to the loneliness and isolation of the hotel making it even more creepy. 

The visual effects during The Shining also contribute to the overall tone of the film and give it an alarming feel. A scene that stood out to me with effective visual effects was when Danny was having a vision and saw the hotel lobby flooded with blood. The color red often appears in this film, for example when Danny becomes possessed and starts saying “red rum” he writes it on the door in red lip gloss, a lot of the rooms in the hotel have red in them, and the characters are also wearing red clothes in many scenes. I think this choice was done on purpose by the director to symbolize violence, blood, and murder and was a prequel for what would take place later in the film when Jack goes crazy and murders Dick who came to rescue Danny and Wendy. 

The other element of the film that impressed me the most was the editing of scenes and the different types of editing used to have an optimal viewing experience. There are several eye line match shots in the film that create anticipation scenes and make the audience jump from their seats. One eye line match shot in particular that stood out to me was when Danny was riding his tricycle through the hotel lobby and then it switches to his face and you can see his expression go from normal to terrified and then the camera switches from Danny to the two girls asking Danny to come play with them and then it flashes to images of their chopped up bodies.  Another scene that stood out to me using analytical editing was when Jack is going crazy and then he sits down at the bar for a drink and at first it looks like no one is there but then Jack starts talking to himself, the camera zooms in on his face and then he begins talking to Lloyd the bartender and orders a drink. 

Critics have written several different opinions on The Shining. Although most critics have overwhelmingly positive reviews of the film, many critics have different interpretations of what the film symbolizes. One famous interpretation was by Bill Blakemore who suggested that the film was symbolic of the genocide of Native Americans, the reasoning being that the hotel is said to have been built over an Indian burial ground, there are several Native American artifcats depicted throughout the film, and Dick Hallorann was murdered on top of a Native American rug when he returns to rescue Danny and Wendy. 

The critiques I read somewhat matched my experience of the film but I thought it left a little more to be desired. There were a few holes in the storyline that I mentioned earlier which confused me and I thought that the director should have put more emphasis on Danny’s visions and made them seem more realistic and last longer than they actually did since they play a critical role in the film. 

 

Sources

  1. https://www.rottentomatoes.com/m/shining
  2. https://en.wikipedia.org/wiki/The_Shining_(film)#cite_note-92

Great Film Analysis #2- ET

My experience of the film was very positive. I thought the director, Steven Spielberg, did an excellent job of utilizing special effects throughout the film and making it an interesting science fiction film, while also making ET a heart warming story of a bond between Elliot, the main character and ET. 

The element that overwhelmingly stood out to me while watching ET was the use of special effects, especially on such a low budget. According to Box Office Mojo, ET only used $10.5 million dollars for their entire budget, while an average movie’s budget cost around $100-$150 million to make today. The use of special effects to create ET and other special effects throughout the whole film was groundbreaking at the time, especially at such a low cost. 

Another element of ET that stood out to me was the use of sound throughout the film. In the beginning of the film before the boys first meet ET and when ET is landing on Earth there is very ominous/scary music playing to create an element of fear and unknown. However once he boys befriend ET and start having more fun with him the music begins to lighten up and has a more joyful tune. Sound is actually what ET is most famous for, ET won several accolades including an Oscar for Best Sound and Best Sound Effect Editing “This musical element is the film’s most famous theme and ties to E.T.’s telekinetic ability to make Elliott and his friends fly on their bikes.  The theme creates a mood of wonder and amazement during the iconic scene when Elliot and E.T. fly past the moon,” (Davis). 

Critical conversations I read about the film raved about ET’s use of sound to set the mood and how the film achieved lofty goals on such a low budget. Critics also said that ET was a one of a kind film at the time and brought joy to their hearts. Roger Ebert even wrote, “This is not simply a good movie. It is one of those movies that brush away our cautions and win our hearts,” whcih is extremely high praise. 

I would say that the critical conversations I’ve read about ET fit what my experience of the film was as well. I was very impressed with the use of sound to add to the tone of the fil as well as the use of special effects to make the film seem more real even though it’s about an alien. 

 

Sources:

  1. https://peterdavisfilmblog.wordpress.com/2014/10/10/e-t-the-extra-terrestrial-catagories-and-functions-of-sound/ 
  2. https://www.rogerebert.com/reviews/great-movie-et-the-extra-terrestrial-1982
  3. https://www.boxofficemojo.com/movies/?id=et.htm 

Great Film Analysis #1-WallE

My experience of WallE was extremely positive. I was very impressed with the graphics and artwork in the film as well as the ability to maintain a storyline and engaging plot with minimal dialogue between the characters. Most of the time all they say is “WallE” or “Eve” since those are the only two words either character knows besides “plant”. The plant also plays a key role in the film. WallE discovers the plant early on in the film and it gives it to Eve who he falls in love with and it’s sort of like the ultimate gift. This is also symbolic because by Eve getting the plant, when she retrieves it back to the ship it’s supposed to allow everyone on board to return to Earth because it’s a sign of life on Earth, when the Earth was previously covered in trash. 

The segmentation of the film was very clear to me and made the plot easy to follow. There were three main segments: WallE making trash piles by himself, WallE meets Eve, WallE and Eve go on the ship, WallE and Eve return to Earth with everyone from the ship. 

The element of WallE that stood out to me most was the overall message of the film that it is important to take care of the environment and what the possible consequences may be if we do not. Not only does WallE depict the Earth as being covered in trash, but it also shows all the humans riding around on floating chairs and they are extremely oberse and stare at their screens all day. “Respondents argued over its depiction of futuristic humans and whether their (animated) shapes made them baby-like or obese,” (Howley). The article “Wall-E” by Ann Howey discusses briefly how it was debated whether or not it was appropriate for Wall-E to be a kids movie because of its “apocalyptic setting” but I think that it is important for young adults and children to see the impact their actions have because they will be the ones making important decisions that impact our lives in the future and films like WallE could have a lasting impact on them. 

Another element that I thought was impressive in WallE was the use of sound throughout the film. The opening scenes play cheerful jazz music as WallE goes from place to place picking up trash and stacking it. This gives the audience that WallE is very innocent and somewhat content with life. Ann Howey also discusses how the use of this jazz music highlights the differences between the past and present, “The opening sequence of the film introduces this tension between future and past. As the ‘camera’ moves through (animated) outer space, moving eventually through our solar system to a futuristic, garbage-covered Earth, the images are accompanied by the song ‘Put on Your Sunday Clothes’ from the 1960s film musical Hello Dolly! (Kelly US 1969)–the song begins, fittingly, ‘Out there …’. As Andrew Stanton remarks in his Director’s Commentary for the DVD, ‘juxtaposing sci-fi and the future with retro old stuff’ was a deliberate strategy,”(Howey).  I was also impressed that the movie was able to carry a storyline so well even without having that much dialogue between the main characters besides them saying “WallE” or “Eve”. 

The critical conversations I read about WallE briefly discuss its appropriateness for children given that it’s a Disney movie due to it’s “paramount environmental message”. But overall critics reviewed WallE in a positive light and admired its use of visual settings and symbolism as well as sound throughout the film, “when Wall-E escapes the self-destructing life-pod and meets Eve on her way to rescue him, the resulting dance-in-space has more to do with visual spectacle than scientific possibility,” (Howey). Critics also admired the relationship between humans and technology in the film, “the film humanises ‘good’ technology–robots such as Wall-E and Eve who work in the best interests of humanity,” (Howey). 

I would agree with critics that WallE does an excellent job utilizing sound and visual effects to optimize the viewing experience but I would disagree that the environmental message is too “paramount” or “apocalyptic” for young children to view. There’s nothing graphic in the film to suggest that it would be inappropriate for children, the director is simply just trying to highlight an important environmental message to viewers.