Genre, Drama, Narrative, Performance_Night of the Living Dead

Genre, Drama, Narrative, Performance]

 

The physical performance examines the horror genre overall. The members of the group run, hide, and battle with the living monsters while the living monsters pursue, kill, and eat the living people. These are a sharp difference between good and evil in physical performance.

The actors like Duane Jones who cast Ben is an unknown state actor while Judith O’Dea who cast in Barbra is a commercial and stage actress. Besides these two, most of the actors are non-professionals in this film. In this respect, Ben is depicted with a calm and brave performance while Barbra is depicted with dramatic stunts in emotional and physical movements. The whole performance is expected to be more ‘realistic’

The actress ‘body movements and some background music perfectly present the intense scene, the plot’s advancement and the character’s psychological changes. There was no line, but anyone could intuitively feel Barbara’s fear. The actors stars are unknown because of budget issues. But it’s an unknown actor who makes this movie a success. It’s easy for audiences to form fixed mindsets about famous actors, associating them with their most famous roles.

Three other sources:

Newby, Richard. “The Lingering Horror of ‘Night of the Living Dead’” Hollywoodreporter. Retrieved from

https://www.hollywoodreporter.com/heat-vision/why-night-living-dead-is-more-relevant-ever-1145708 (Links to an external site.)

Thomas, Kristofer. Scene Dissection: Night of the Living Dead (1968, George A. Romero).

https://www.thefourohfive.com/film/article/scene-dissection-night-of-the-living-dead-1968-george-a-romero-145 (Links to an external site.)

George A. Romero’s Night of the Living Dead. Retrieved from

https://www.moma.org/calendar/film/565

 

Film Analysis #1 – Week 2B: Genre, Drama, Story & Performance

Genre, Drama, Story & Performance

The Night Of The Living Dead is a  can be seen as Horror. This is evident as the characters are being attacked by zombies creating an intense feeling of fear and shock , expression(s) shown throughout the entire entourage. The Story has a specific plot, as the base characters get a inital glimpse of the upcoming issue.  The characters then come together, attempting to rid of the issue. Finally the issue gets a hold of the characters, ultimately making the characters zombies. Its told this way and not in another way, because this plot creates the most suspense, making the viewer thirsty for what comes next. It supports the horror genre as fear is displayed throughout the entire plot.

All performances are suited to give the viewer a horror or fear type feeling. The performers act on different roles as Barbra is seen as the initial main, then Ben takes immediate command of almost every decision, displaying how the story creates an emergence of any character to take leadership regardless of fear, to take down the antagonist(s) (Zombies).

The most important character is Ben, an unknown actor. Barbra was also apart of her first major film. I feel as if they chose these characters due to them being new in the movie scenery. Creating the basis and start of something special to come.

Each actor matched their role; Ben being the leader and the rest being back seat drivers, ultimately assisting the leader to the destruction of the enemy. The plot can be deemed as unrealistic due to the viewer never being exposed to real torture or gore or death (camera doesn’t catch actual moment of impact). This isn’t a bad thing because at the time of production of this film, this was acceptable and doesn’t take away from the overall plot: Zombies ( Horror) .

 

More specifically, Todorov define it as a “marvelous” horror film, being explained as “the bizarre events of the story can only be explained by reference to another level of reality. First of all, this film is a black and white film style. The contrast between black and white highlights the mysterious and horrible atmosphere of this film. Second, the movie is full of scary elements. People are always afraid of the dead and the grave, and this film starts from the cemetery, with the dead as one of the main characters. The film also shows a lot of bloody horror scenes, such as the zombie cannibalism, the end, the little girl cannibalism and other scenes. This story is told in a nonlinear narrating way. As noted in Film Art, “nonlinear systems, permit random access to the entire store of footage” (68). Bit by bit, the film has to give information about the origin of the living dead. The actress ‘body movements and some background music perfectly present the intense scene, the plot’s advancement and the character’s psychological changes. There was no line, but anyone could intuitively feel Barbara’s fear. The actors stars are unknown because of budget issues. But it’s an unknown actor who makes this movie a success. It’s easy for audiences to form fixed mindsets about famous actors, associating them with their most famous roles.

https://brightlightsfilm.com/night-living-dead-reappraising-undead-classic/#.XTUvzxT7SUl (Links to an external site.)

https://film.avclub.com/night-of-the-living-dead-millennium-edition-dvd-1798197510 (Links to an external site.)

https://ew.com/article/2005/04/11/rating-versions-night-living-dead-we-wade-through-various-dvd-editions-and-pick/ (Links to an external site.)

https://www.imdb.com/title/tt0063350/reviews?ref_=tt_urv

Film Analysis #1 – Week 2A: Segmentation_Night of the Living Dead

 

Segmentation

 

The Night Of The Living Dead is a suspenseful movie, including multiple major segments. The first most important segment would be “They’re Coming to get you”. As Barbra and her Brother Johnny are at a graveyard, Johnny begins to joke around ” They’re Coming to get you” he says multiple times.  As Barbra tells johnny to knock off the obnoxious jokes, she runs into an actual zombie. She then screams for johnny’s’ assistance. As he attempts to rescue his sister, he is ultimately knocked unconscious  and Barbra is left to defend for herself.  Another important segment is when everyone is stationed at the safe house, As Harry, Tom, Ben, and Barbra. They all are informed of the situation and have a better understanding. Two attempt to flee in a vehicle but die, due to engine flames. Everyone are ultimately bit and turned into zombies. These segments are situated this way to create the most suspense as possible, keeping the viewer waiting for scenes to come.

 

There are three segments of the movie. In the first part, Barbara and her brother encounter a zombie, and her brother dies of a virus. The second part is that she meets Ben, who is also hiding from the zombies, and other people in the house. The third part is the ending part. Cooper who loves his daughter is eaten by his zombie daughter. The other is stabbed to death by her daughter. Barbara is captured by her brother Johnny, and Ben is shot dead after being mistaken for a zombie. These parts are the main plot turning points. This way adds to the drama of the movie and renders the atmosphere of terror. Whenever the audience watches the film in a way, the director immediately gives an unexpected reversal, which surprises the audience. When I was watching the movie, I thought that Ben should be the final winner, but Ben was shot.

 

Source

https://brightlightsfilm.com/night-living-dead-reappraising-undead-classic/#.XTUvzxT7SUl (Links to an external site.)

https://film.avclub.com/night-of-the-living-dead-millennium-edition-dvd-1798197510 (Links to an external site.)

https://ew.com/article/2005/04/11/rating-versions-night-living-dead-we-wade-through-various-dvd-editions-and-pick/ (Links to an external site.)

https://www.imdb.com/title/tt0063350/reviews?ref_=tt_urv

Definitions – Week 2B: Finalize & Publish Definitions TAILS

Crime Films

 

Crime movies are usually TV movies with police activities. Crime movies can also be called police movies. Different from gangster movies: crime movies focus on the detective to catch criminals, crime and crime to prevent the abhorrent immoral all the drama process; Gangster movies focus on the freedom and right of assembly and association, and the rationalization and heroism of gangs’ struggle for power and profit. Police detectives’ detection and prevention of crimes is the plotline, even without police detectives. Crime movies and gangster movies are action movies. They are commercial movies for the public to buy, watch and entertain(Leitch 2002, 84).

 

The scope of crime movies is relatively broad, but the director has a more focused aspect in the shooting process. Taken, for example, is a crime movie. But it focuses more on the rescue process to show the audio-visual feeling of martial arts scenes, so it is more considered as an action film. Crime films can also be called police and bandits films. In all drama films, there must be both crime and detective investigation.

Watching crime films gives a sense of drive and danger. Such films are quite amusing, the crime may seem like something quite trivial. You can not watch a crime film without experiencing strong emotions towards the hero – either sympathy and concern for his/her fate, or the strongest hatred and desire that everything went wrong with the character.

Martin Scorsese, Guy Ritchie, David Fincher, Quentin Tarantino, Robert Rodriguez, created dozens of films on this subject, are recognized as kings of crime genre. And among legendary directors, the same actors are often the heroes and inspirers. Martin Scorsese – Leonardo DiCaprio, Guy Ritchie – Jason Statham and Brad Pitt, Quentin Tarantino – Harvey Keitel and John Travolta, Robert Rodriguez, Antonio Banderas, Johnny Depp.  They weave a deadly (often literally) seriousness with humor.

 

 

Source

Leitch, Thomas M. Crime Movies. Cambridge: Cambridge University Press, 2002. Internet resource.

https://researchguides.dartmouth.edu/filmgenres/crimefilms (Links to an external site.)

http://screenprism.com/insights/article/what-is-the-difference-between-film-noir-and-the-crime-film

 

Definitions – Week 2B: Finalize & Publish Definitions HEADS

Low-Key Lighting

“The term key light is the source of two commonly used adjectives: low key and high key… These expressions come from cinematography. When cinematographers, also known as directors of photography (DPs) use a low proportion of fill light to key light,… is called low-key lighting. The lower key the light, the more shadowy the effect. The distorting, spooky nature of extremely low-key lighting is perfectly illustrated by a trick almost every child has played: in the dark, you shine a flashlight up at your face from below your chin. That flashlight was your key light, and since there was no fill light at all, the proportion of fill to key was as low as you could get” (47).

Source: Textbook Definition from Ed Sivok’s Film Studies: An Introduction (Film and Culture Series)

Author, Terry O’Rourke, reveals how we can be a bit ambiguous in our approach to lighting and how that is essentially what low-key lighting is all about. It is about the ambiguity, which is a wonderful way to invoke a sense of mystery and intrigue within your artistic medium, in this case film, to your audience. He then explains the simplicity in creating such lighting:

“You can do this with any existing lighting situation, provided you turn most of them off. If there is no existing lighting – even better. Set up your lighting designs with the idea that less is more, because with low-key lighting you are lighting for shadows. One light in the middle of a room and you have all the shadows you could ever want. Move that light around and you can put the shadows wherever you want. Use a reflector along with that one light and you can create all the drama one could ever need in a scene. The point here is that low-key lighting involves shadows just as much as it does light.”

High key lighting is used to produce images that encourage an optimistic, upbeat reaction. The photos come out youthful and simple but sophisticated. Low key lighting, on the other hand, produces images that are the opposite of high key photos. The low key technique uses a lot of darker tones, shadows, and blacks.

High Key Lighting:

  • Bright and high lights dominated by ranges of whites
  • Very minimal blacks and mid-tones
  • Optimistic, upbeat, youthful, light, and airy
  • Mostly used in portrait, wedding, newborn and fashion photography

Low Key Lighting:

  • Uses a lot of deep blacks, darker tones, and shadows
  • Very minimal amount of whites and mid-tones
  • Reduces lighting to produce images with striking contrasts
  • Produces dramatic and mysterious photos
  • Features a lot of shadows

With low key lighting, you can create incredibly sensual images (within the dimensions of photography), full of mysterious atmosphere and drama. Low key lighting creates stunning contrasts in your images, along with mood and mystery. It gives depth, feeling, and emotion — and is an invigorating challenge for novice and professional photographers alike. Traditional photography lighting is called three-point lighting: key light, a fill light, and a backlight to illuminate the subject. Low key photography, on the other hand, uses only a key light, which is optionally controlled with a fill light or a simple reflector. This means that shadows remain in the dark and only the subject is highlighted. Low key lighting tends to heighten the sense of alienation and suspense, and hence is commonly used in the film noir and horror genres.

 

Source:

https://www.videomaker.com/article/c13/15235-the-art-of-low-key-lighting

https://contrastly.com/understanding-the-basics-of-high-key-vs-low-key-lighting/

https://skylum.com/blog/low-key-lighting-photography-tips

 

Week #1A Definitions

Digital Filmmaking has had a rush of excitement aswell as negative remmarks in the last 10 years or so.  Steve Mcqueen states “all this technology, it’s changing every five minuets”. He says “because everyone is making money out of it” and this is not an overstatement. Comparing digital cinema now to 2010 we can see a massive change in how special effects and filimg can be improved in such a short period of time. For some people in the industry moving on from carrying heavy film cans and the use of diffrent size film and other aspects of using film means the end of true movie making. Although we have moved in the direction  of digital film, in 2014 six out of nine Oscar nominees were shot entirely on film. Using film compared to digital methods can still be more rewarding especially when the hard work is put in. But digital filimg takes less time, less equipment, and has brought the standard of movies to a new level.

personel

hhtps://nytimes/how-digital-ischanging-35mmfilm//

journalstic

https://newrepublic.com/article/119431/how-digital-cinema-took-over-35mm-film

scholalry

https://stephenfollows.com/film-vs-digital/

Film Analysis Night Of The Living Dead

Logan Nicholas
July-16-2019

Night Of The Living Dead
Analysis

This horrific black and white film told to be the original zombie ice breaker into the movie industry was directed by George Romero, and can be described as one of a kind. Solely written by Romero this movie is a pure representation of his way of portraying a zombie horror film. Even with a low budget Romero was able to exemplify his film to an accepting audience fairly well. With sex, political views, violence, and racial equality incorperated with its blood and gore it seemed to not shock its audence as a reasonable person would think. Audencese took Romeros take on a zombie horror film as a reality that could happen. While first impressions of the film being in black and white might have labeled it as poor quality, some might say it was because of the low budget, others seem to think of it as having a deeper meaning.

With racial tensions high at this time, you can notice some racial tension during the film. Nevertheless the making of this cinema caused a huge fascination in zombie horror and films alike. It may have been the feeling it radiates when you think of a world dominating force with only your demise as its goal, and that coming together to stop the carnage is all that we have left. At this time coming together as a whole may not have been the country’s main objective in the 1960’s. It could even be seen as a metaphorical picture to unite white people together and eliminate a threat to their livelihood, which in this day was seen to be African Americans.

”choppy black/ and white scenes” was just one discription about the actual picture and visual of this cinema, although having “special effects ahead of its time” during the Vietnam era this film experienced a number of rewrites and character changes throughout the filming. With emotions and opinions high about war, sexual opinions, racial equality and politics, having these themes bridge together by a global threat was a smart tactic to use to keep viewers entertained. Over all this film was a small spark that helped edge many movements to the light. Not only in society but in the film industry as well. For younger folks at the time it was something no one had seen before which made it so special.

Fast forward to current horror genre zombie films such as 28 days later, resident evil, World War Z, and even some comedies like Shawn Of The Dead zombie movies have been steadily increasing in popularity since then. Night Of The Living Dead was original, had shock value, incorporated social and political views, and was advertised well enough to make a big hit in the world of cinema, Although the film may be more appreciated in recent years it’s ripped its way into the televisions of generations not only as a benchmark for zombie films, but as a teaching subject for cinema enthusiasts.

 

Film Analysis #1 Blog Post 3 Night of The Living Dead

The genre of Night of The Living Dead is horror. There is plenty of evidence of this throughout the film. The plot of the film is a bunch of adults hiding from ghouls in a house, which is a horror film concept. None of the characters are villains or anything that would suggest they’re evil but after they get attacked by the ghouls they turn into ghouls and start attacking the other characters. 

In terms of the dramatic structure, the exposition takes place when Barbara and Johnny are at the cemetery when Barabara get attacked and then she retreats to the house. During this scene we get some background knowledge on where the setting of the film will be and who is one of the main characters is. The rising action occurs when Barbara meets Ben and the other characters in the house and they are all planning on what they should do to escape the ghouls. The climax occurs when Tom and Judy hop in the truck outside and Ben follows them, then the truck catches on fire while Ben fights off the ghouls. The falling action is after everyone has either turned into a ghoul or died besides Ben the next morning and there is a search team that finds Ben. The denouement occurs when one of the members of the search team mistakes Ben for a ghoul and kills him. 

The narrative is mainly structure around Ben. Ben is the one who seems to take charge and make all the decisions. He takes on a leadership role and boards up the windows and doors, lighting the couch on fire to fend off the ghouls, and using the rifle to shoot the ghouls. I think if the narrative were different and they would have structured it around Barbara for example, then the movie would have been much different because Barbara was very quiet throughout the whole film. This supports the genre because in all movies, and especially in horror movies, one character has to be brave and take on a leadership role to overcome the adversity that they are facing in order to prevail and Ben takes on that role in Night of The Living Dead

The performances were suited to the genre by each actor filling their role appropriately. Ben suited the role of being the leader because he was the most vocal out of everyone and took charge of every situation and was extremely confident. All the other characters played minor roles which fits in well with the horror genre because in horror movies usually the other characters take a back seat to the leader of the group. The performances aren’t realistic, the camera turned away whenever one of the characters was about to get stabbed or eaten during the film. This isn’t a bad thing because this film was made over 50 years ago, so at the time it probably seemed realistic, but it doesn’t really take away from the plot. 

The main actor, Duane Jones, as Ben is an unknown actor. Judith O’Dea was a stage and commercial actress at the time and she played the role of Barbara. This was the first major film that Judith O’Dea acted in at the time so the audience would not have had any prior background knowledge on her work. I don’t know why the director chose to make Duane Jones take the lead role and not Judith O’Dea. It seems like it would have made sense casting the actor with more experience as the lead actor but the director possibly just wanted to have a strong males presence be the lead actor would be my guess.

Film Analysis #1 Night of the Living Dead

There are three major segments in Night of the Living Dead. The first segment is at the cemetery when Barbara and her brother Johnny are visiting their dead father and Barbara’s Johnny jokes about there being zombies in the graveyard. Subsequently, a zombie does appear in the graveyard and attacks Barbara and then her brother while Barabara retreats to a nearby house to hide. 

The second segment is the house. At first it is just Barbara in the house and she is still in shock from what took place at the cemetery but she is soon joined by Ben. Ben kills a few zombies outside trying to get in and then begins to board up the doors and windows in the house. Shortly after, Harry and Tom join Barbara and Ben and begin to bicker about whether or not they should stay upstairs or go down to the cellar. Tom and Judy go down to the cellar while everyone else stays upstairs. While upstairs, they turn on the TV and see a message informing them that the government is aware of what’s happening. The TV anchorman states that people being stalked by zombies are supposed to report to the nearest shelter to stay safe. After seeing this message, they go outside and Ben fights off a group of zombies while Tom and Judy attempt to escape in the truck. Tom and Judy are unable to escape because the truck catches  on fire while Ben is fighting the zombies and they die. Ben and Harry go inside and begin to fight and Ben shoots Harry. Harry retreats downstairs and is transformed into a zombie and eventually Karen, Helen, and Barbara are also attacked and turn into zombies.  

The third segment is the next morning when there is a rescue attempt. Ben wakes up when he hears gunshots outside and then is shot by someone for being mistaken as a ghoul. This is where the movie ends. 

The purpose of segmenting the movie in this way is to create a gradual build up of intensity for the viewer, keeping them engaged throughout the film. The impact on the viewer is to craft a sense of intrigue, causing the viewer to wonder what’s going to happen next. is more In the end, Ben is shot and it seems like an appropriate ending to a horror film since then goal of the movie was to entertain the audience but also scare them.  

35mm Film

Image result for 35 mm film

  • 35mm film refers to how wide the roll of film that you are using is when you are filming a movie.
  • 35mm film was commonly used to make most movies up until about 2005 when more and more companies began to use digital photography.
  • 35mm film is said to have more “soul” than digital.
  • 35mm film equipment  is now being considered vintage. There is now only a finite supply of spare parts.
  • It is making a comeback, as younger generations are gravitating towards film again.

Quotes

“Dating back to the first quarter of the 20th century, the 35mm format has mostly given way to digital still and video technologies. The 35mm film frame is 36 x 24mm, and high-end digital SLR (DSLR) and video cameras use sensors of equivalent size.”

“I also would vastly prefer to watch a classic exploitation movie with all the grit, scratches, and intermittent audio pops you experience with a well-worn roadshow 35mm (Links to an external site.) print. To me, that is part of the journey, part of the history unfolding on screen.”

“Although there is a consensus that film provides a better image than digital imaging, there is some disagreement about the resolution of 35-mm slide film confirmed that 35-mm slide film is the practical benchmark for image quality in standardized patient photography.”

“The development of cinema has seen the shift from silent to sound film, black and white to colour, and the move from 35mm film stock to recent formats such as High Definition (or HD) that capture and project images in digital form. Recent cinematic history includes advances in computer graphics and editing, stereoscopic imaging or 3D, motion capture, and sound recording, mixing and design” (Page 42).

First Man was assembled from a complex mixture of 16, 35 and 70mm IMAX footage”

“We’re now in such an instant world, with iPhones, digital cameras. It’s good to have this slow process, ripping off the wrapper around the film, putting it in the camera.”

Sources

“Encyclopedia.” 35mm Film Definition from PC Magazine Encyclopediawww.pcmag.com/encyclopedia/term/67550/35mm-film (Links to an external site.).

Journalistic – League, Tim. “35mm Film Deserves Your Respect: Alamo Drafthouse Founder Tim League Makes the Case.” IndieWire, 3 Mar. 2017, www.indiewire.com/2017/03/35mm-film-tim-league-reel-film-day-1201789618/ (Links to an external site.) (Links to an external site.)

Scholarly – III, Grant S. Hamilton. “An Objective Comparison of 35-Mm Film and Digital Camera Image Quality: A New Gold Standard.” Archives of Facial Plastic Surgery, American Medical Association, 1 May 2009, jamanetwork.com/journals/jamafacialplasticsurgery/fullarticle/407315 (Links to an external site.)

Whittington, William. “Introduction to Film Studies 5th Edition Edited by Jill Nelmes.” Academia.edu,www.academia.edu/8957152/Introduction_to_Film_Studies_5th_Edition_Edited_by_Jill_Nelmes.

https://www.reddit.com/r/BeAmazed/comments/bule03/my_camera_shoots_across_two_frames_of_35mm_at/ (Links to an external site.)

https://www.theguardian.com/uk-news/2018/jan/28/does-reflex-slr-camera-herald-35mm-film-renaissance (Links to an external site.)

https://filmmakermagazine.com/107353-23-films-35mm-released-in-2018/#.XSgDE-hKjb0